Orford Parish Books is what I guess you’d call a “boutique press” that publishes books generally centered around author Tom Breen’s fictional locale of Orford Parish. I decided to review all four of their released books (so far) in one go, so without any further ado…
Orford Parish Murder Houses: a Visitor’s Guide
by Tom Breen
This book hit me like a rock.
I was expecting it to be a collection of linked short fiction – that’s generally what these types of things are, right? – or, less likely, a mosaic novel in the style of Bartlett’s Gateways to Abomination.
What I got was one of the biggest shocks I’ve ever received – an amazing, fully fleshed out, well-written, frightening, hilarious faux-tour guide.
Let me step back a bit.
There is a town in Connecticut called Orford Parish. Like any other small town, it has a local newspaper, quaint people, mediocre restaurants.
It also has an ancient tree that will answer any question it is given, groups of children repeating the word “Despair” over and over while playing in the snow, and more murders per capita than any other place in the United States.
Of course, as First Selectman Norman Dimble reminds us, there’s “‘More than murder – but plenty of murder'”!
This book purports to be a collection of short descriptions each centered around the history and folklore of a specific “murder house” in Orford Parish. Each description includes the name and address of the house, a story recalling the history of it, and a quick write-up on the best restaurants in the area. No, I’m serious. It’s all quite funny, but when you peel back the skin of it you begin to see something more unnerving.
For example, what’s so funny about the cannibalistic rage that enveloped the NuLove Hippie Commune? Who’s laughing at the Lathrop House, home to one of the most disturbing and mysterious murders ever set to paper? And there’s certainly nothing funny about the priest who stared into the void that is God…
It’s hard to talk about my favorites in this book without giving anything away. The NuLove one was probably my favorite, followed closely by the aforementioned Borden-inspired Lathrop House entry (which genuinely had me looking over my shoulder for the rest of the night). The book knocks your expectations out of the park with the very first fragment, which totally subverts your idea of “murder” and presents quite a puzzling conundrum until the truth (?) of the matter is revealed…
Breen’s writing is precise; it ranges from elaborate to sharp depending on the intended voice. The wistful narrator of “Armorica”, the only traditionally structured narrative in the book, does genuinely seem to be reminiscing her childhood, while Norman Dimble’s infectious enthusiasm for his blood-soaked city leaps off of the page. On the whole humor and wit shines in every narrative; you will find yourself laughing a lot during the reading of this book, which contrasts with the horror and, in doing so, makes that horror more effective.
I honestly don’t know how much more I can say about this book without spoiling its effect. Suffice to say that this made my “Best of 2016” list for a good reason: namely, that it is inventive, funny, dark, and all-in-all surprising in the best possible way.
If you don’t read this – and I really, REALLY mean this – you are doing yourself a disservice. Buy Orford Parish Murder Houses: a Visitor’s Guide here.
Little Oren and the Noises (Picture Books for Weird Kids, Vol. 1)
by Joseph Pastula
Again, hit me like a rock.
When I heard the second release from Orford Parish books would be a picture book, I was surprised but not necessarily deterred – okay, it was a little bizarre, but they’d pulled that off with Orford Parish Murder Houses, right? I checked out the author’s webcomic Silkworms, which made me feel unusual for a while after – a good sign. Still, I was more than a little doubtful when I opened up the package…
Let me describe Little Oren and the Noises in the simplest way I can. If Thomas Ligotti wrote a picture book, this would be it.
The story follows an Orford Parish man who doesn’t like noise, and who goes to very extreme lengths to avoid it. To say anything else would be to ruin the nasty surprise this book has waiting for you. Joseph Pastula’s pictures are uncomfortable in the best way, and I felt more than a little disturbed when I saw the, um…noises.
The story is simple and uncomplicated, but coupled with the pictures the whole thing becomes an eerie experience that left me claustrophobic and upset.
I can’t say too much about this book, as its mostly pictures and the story is very easily spoiled. But I can say that anyone, even adults, will enjoy this – if they enjoy such bizarre, uncategorizable works of weird fiction. And really, who doesn’t?
You can buy Little Oren and the Noises here.
Old Gory: Two Tales of Flag Horror
by Joseph Pastula and Tom Breen
(Note: I can’t find a high-rez image of the cover, so this promotional image will have to do.)
This is the first in a series of so-called “split chapbooks” which are essentially tiny, themed anthologies with just two or three stories. In keeping with its recurring theme of “doing something really, really strange”, Orford Parish Books’ first themed chapbook is Old Gory: Two Tales of Flag Horror, which is – you guessed it – Orford Parish horror stories relating to the flag of the United States.
The “hit me like a rock” phrase is getting overused, but again, it’s the only adequate way to describe my feelings on discovering the theme of this slim volume. Orford Parish Books’ previous publications both effectively explored the fringes of weird horror, but I didn’t know how one could possibly make the American flag scary. However, I was catching on, and I figured things were going to be interesting (if not anything else). My expectations were, again, exceeded.
Joseph Pastula’s cover is quite eye-catching – there are skulls in the white lines, the red is reminiscent of blood, and the stars are all inverted pentagrams. These themes are expanded upon in the erudite faux-introduction “The Flag, and How it Got that Way” by an Orford Parish professor of demonology. This was a welcome surprise. It’s a funny little thing, and adds to the delightful oddness of the book.
We kick this book off with Joseph Pastula’s story “Orison for the Departed”, which is not set inside Orford Parish but just outside of it. Its a sort of ghost story, more or less, about a house covered in flag paraphernalia, and the man who finds out why. For some reason this story reminds me of the Winchester Mystery House, but this is probably just a cosmetic connection. Pastula’s prose is slightly more baroque than Breen’s, but it suits the story quite well and provides nice contrast to the second offering. His development of atmosphere is quite skillful, and I look forward to seeing more full prose offerings from the author.
The second story is Tom Breen’s “Our Heart’s Blood Dyed in Every Fold”. It follows an Orford Parish “flag club” (as it were) composed of fathers whose children have gone missing, and who blame a group of astral warriors for taking them. Drawing on a curious old witchcraft custom of Europe, the story evokes both laughter at the absurdity of the situation and pity for the poor, deluded (or are they?) men whose children have been taken. Breen cultivates a very strong voice for the narrative, whose sarcastic comments and snarky asides provide most of the humor in the tale.. No-one’s laughing at the end, though, in a sad and disturbing conclusion with an ambiguous final line that still has me puzzling.
One would think that Pastula’s baroque ghost story would clash with Breen’s dark comedy, but they don’t. The one actually compliments the other (and vice versa), highlighting the good qualities in the story it sits alongside.
The book ends with an appendix that echoes the introduction and gives a more thorough account of Orford Parish flag history. It’s a fascinating bonus, one of the little touches that (like the introduction) really make this book shine.
On the whole, I was thoroughly surprised and impressed by this addition to the Orford Parish Books canon, and was eagerly looking forward to the next book.
You can buy Old Gory: Two Tales of Flag Horror here.
Three Moves of Doom: Weird Horror from Inside the Squared Circle
by Matthew M. Bartlett, Joseph Pastula, and Tom Breen
Split chapbook, round two!
When I heard that the next book’d be themed after wrestling, I was no longer surprised. That is, it’s not that I was expecting the book to be about wrestling, but I was expecting the book to have a somewhat unusual theme, and that’s what I got.
I also no longer had any doubt in my mind that the book’d be quality. Orford Parish Books had won me over; I was excited for the release and couldn’t wait to see what the team would do.
Speaking of the team, a new member was brought on: the reputable Matthew M. Bartlett, who we might’ve talked about before. This ratcheted up the excitement from ten to fifteen, and when the package finally arrived I tore it open like a ghoul going at a throat.
We jump right into the (mat) action with Bartlett’s “The Dark Match”. It tells of an unnamed man desperately fleeing his hometown of Leeds (and we all know what goes on there!) for the relative safety of a seaside town named Hulse (Bartlett names it in an interview, but not in the story). There he meets a bizarre old man who proceeds to tell him a remarkably grisly story of Hulse’s underground late-night wrestling shows. After the story is finished, our narrator realizes Hulse may not be as safe as he thought. The tale has an intense conclusion that leaves the reader disturbed.
Bartlett’s in fine form here, with his signature brand of surreal horror on full display and an eerie, rapturous prose that draws the reader across the page. It’s also nice to see a change of scenery from Leeds (as much as I love it!) with the decrepit seaside town that this story takes place in. I hope we see a lot more of Hulse in the future! This is a very strong start.
Then we have Joseph Pastula’s truly gruesome “A Severance of Roots”, a shudder-worthy title I didn’t realize the meaning of until writing this post. Our narrator finds an obscure mention of a particularly brutal wrestler called “the Great Hakai” and goes to great lengths to find out more about them. To say anything more would be to spoil the story and its effect. While there is no supernatural element, or even a direct threat to the narrators, the story is possibly the most unsettling in the book. The last paragraph, which isn’t even really a twist, left a cold feeling in my stomach. It mimics the horror of looking back at some terrible past event, the sharp shock of an unexpected monstrosity. I often get this sensation when reading Ambrose Bierce, who could write a horror story like no-one else. In a surprise knockout this entry wins my favorite of the book, despite the incredibly high caliber set by the other two entries.
Finally, we have “The Vision of James Lee Dawson, King of the Death Matches” by Tom Breen. This forms a nice middle ground between the quiet horror of “A Severance of Roots” and the balls-to-the-walls surrealism of “The Dark Match”. It follows a grizzled wrestling veteran to one of his last matches. His eerily quiet opponent, however, isn’t interested in the script. This is probably the biggest treat for those who actually watch and enjoy wrestling. It provides the thrill of the match with the horror promised by the book, and Breen’s characteristically sharp sentences are perfect in their succinctness (another Bierce-like trait). This also has a surreal scene, one of the most utterly strange images in the book (and “The Dark Match” is in this book, so that’s saying something) and a powerful defining image for this slim volume. The ending itself is quite poignant. It rounds things out wonderfully.
There’s another darkly comic faux introduction (attempting to answer the question “Is wrestling real?”), some funny fake bios, and incredibly creepy/hilarious interstitial material taking the form of 1950s-style ads. The services and products advertised are truly bizarre, and (like the bonus content found in Old Gory) add something special to the book.
Wrestling fan or not (and I’m not!), this book is for everyone. Really. I genuinely think anyone can enjoy this book. There’s compelling characters (“The Vision of James Lee Dawson, King of the Deathmatch”), chilling scenarios (“A Severance of Roots”), complete insanity (“The Dark Match”), and some comedy thrown in to lighten the mood (introduction/interstitial material/author bios). It’s an excellent volume that belongs on every shelf.
You can buy Three Moves of Doom: Weird Horror from Inside the Squared Circle here.
And that’s everything OPB has released so far.
Their line-up is exciting. They’ve a folk horror anthology edited by S.J. Bagley coming out (submissions are still open, if you’re interested!) and their next split chapbook, Letters of Decline: Four Tales of Job Interview Horror (with Pastula and Bartlett returning, with the excellent Jonathan Raab and our very own Sean M. Thompson joining the crew), looks very promising.
Orford Parish Books is the breath of fresh air that the weird horror community needs. It’s funny, it’s weird, it’s scary, it’s quality, and it finds horror in the most unusual of places. I highly recommend you visit their website and their Facebook page.
Or, perhaps, you’d like to visit Orford Parish itself. Sure, it has a Facebook page too, but you want the town itself. I know a fellow who can draw you a map, if you’re willing to pay. He’s at the gas station, drawing circles in his blood, muttering about the ghost worms that eat his wife at night. Or something like that, no-one can understand his language anyway. But when you get the map, you just drive, and you’ll find your way there. You’ll never want to leave.